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The Painting Process
Once I have selected a subject to paint, I take digital photographs of the scene from different viewpoints. If feasible, I do drawings on site. For commissioned works outside of the South Jersey area, people send me photographs of the view they want me to paint.
Back in my studio, I do several “thumb nail” sketches and select one that I think best represents the subject. After consulting with you, I eliminate aspects of the scene such as telephone poles, trees, or other objects that obstruct the view, or that you simply do not wish to have in the painting.
Once I have selected the sketch that I want to develop into a painting, I do a careful pencil drawing on 140 pound hot press water color paper. I use enlarged photographs of the scene as a reference for architectural details.
The next step is the application of waterproof India ink, applied with a pen,
over the pencil drawing. This medium enables me to solidify the drawing
and begin to enhance the character of the subject.
Then comes the first application of water color paint, which is tentative and
focused on establishing color and values.
From that point on, there is a give and take between the two media: ink
and watercolor. When I enter the color stage of a painting, I enjoy the interplay between the black ink lines and paint colors. I go back and forth, slowly building up the colors and lines until I reach a point where I am satisfied.
Transform your photograph into a work of art.
West Broad Street
Peter Pan Gift Shop
Main Street Printworks
Our Lady of Good Counsel
Check out Marcia's gallery for more paintings